We laugh at those now but Hollywood FX had to begin somewhere. Some people believe that there is an over reliance on unique effects, to the detriment of story and characterization.
Matte painted backgrounds and miniature models served motion pictures well for a very long time, allowing futuristic movies such as Fritz Lang's Metropolis. A mix of miniatures and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic appearance real, in movies that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. War movies that required sea fight video footage utilized miniature models in big water tanks. This, and a method referred to as taking a trip matte, produced the splitting of the Red Sea scene in The Ten Commandments. No wonder was beyond the power of special effects experts.
Further development came when effects manager Douglas Trumball developed new techniques for the final trip in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas increased to the challenge and amazed audiences with Star Wars in 1977. His group developed a new computer controlled cam that enhanced duplicated camera motion and widescreen shots. Lucas then formed Industrial Light and Magic, the company that has originated Hollywood FX since.
Today, we are used to the idea of films being shot with a blue screen and the background being added later. Computer Graphics Imaging (CGI) dominates the scene now. Any object or person can be controlled by the computer system and combined in with the live action. This approach was put to excellent usage in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects group at Pixar has introduced it to their full length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are just about gone. The Weta workshop in New Zealand has actually constructed a track record as one of the very best special effects companies, especially since the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of technology is out of the bottle. Hollywood FX has made the return of the impressive movie possible.
We laugh at those now however Hollywood FX had to start someplace. A combination of minis and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic appearance real, in movies that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the company that has actually pioneered Hollywood FX ever given that.
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